This table shows all the simple intervals of septimal meantone, which includes the entire 7-limit tonality diamond. Other relevant tables of meantone intervals are the table of quarter-comma meantone intervals and the table of 31 edo intervals.
In 12edo the diminished second vanishes, so this cornucopia of intervals collapses to a mere 12. None of the intervals is inherently septimal in 12edo, because they all have simpler 5-limit descriptions.
In 19edo, in contrast, the *double* diminished second vanishes, so the equivalences are A1~d2, A2~d3, A3~d4, A4~dd5, AA4~d5, A5~d6, A6~d7, and A7~d8. Thus some intervals are undeniably septimal, but ambiguously so because 49/48 vanishes.
More complex meantone edos such as 31edo distinguish all intervals listed on this table.
In 12edo the diminished second vanishes, so this cornucopia of intervals collapses to a mere 12. None of the intervals is inherently septimal in 12edo, because they all have simpler 5-limit descriptions.
In 19edo, in contrast, the *double* diminished second vanishes, so the equivalences are A1~d2, A2~d3, A3~d4, A4~dd5, AA4~d5, A5~d6, A6~d7, and A7~d8. Thus some intervals are undeniably septimal, but ambiguously so because 49/48 vanishes.
More complex meantone edos such as 31edo distinguish all intervals listed on this table.
See also Wikipedia's list of meantone intervals